Walk with me for awhile. Let’s us try to see:
We are at an edge. There is a geography of land and sea. A place where possibility is yoked by necessity and potential is bound by limit. There is a cool wind that makes me want to pull my sweater a little tighter, there is a blue black of dawn and dusk.
On edge. Pull sense into language, contextualize the experience of what we feel and what we see and what we desire and what we despair in language and discover the earliest reference to “on edge” mentions teeth. From the 14th century: ‘teeth on edge’ - a tingling or numbness in the teeth. Let’s begin then in the mouth - the taste of contact.
Something is mixing, something has been becoming something else. The swamp is fertile in its rot. The sharp blade distinguished. When I kneel to touch the ground what I find is loss. Thoughts burrow in what was. Loosen the jaw. Before I can touch what is here I go through missing. There is a boat on the water - there is a bird in the sky. But this dissolving echo is like trying to hold on to air.
Memory. Memory is its own kind of listening and tasting. Still kneeling we are in rooms stenciled in faded paper with illegible script. I wonder if if I am attempting to contain (see here corrugated bankers boxes) not what was but something that never was. What alchemy is that? Mixing memory with desire. Looking through the window, still wearing the clothes I slept in. The glass divide. The window an edge, protects and separates. Or in another shape the glass contains my wine. We look in two directions. I prayed for the bridle to snap. And now that it has....
There is a structure. A structure remains among the pieces. The thing about this structure is it doesn’t feel like something I do, but something I discover with my feet. Walk with me. Even when no one is watching, we are a mythic structure of language and story, combined in image. There is body. We set the edge with teeth. Crossing the border into another country. The hearth of Hestia and the disappearance of Persephone. When we explore the poetic in its residence in the body, the crevasse, the crag, the tunnel, the bone, the finger, the eye, who is here? What power lies within? What birth and what death? What is coming together and falling apart?
Touch the glass. This edge appears linear and behaves cyclically, in patterns and themes. We live in themes, then. And what is a theme but a proposition, an intent.
The tooth of psoas, spirit pressed against matter, the genius of place, the physical vibration of sound, the invisible made visible, god in my hands.
An edge - a division - a separation - that protects, shelters, and adheres. To cleave means two things - to pull apart and to cling — it is not one or the other — it is both. We are near and we are far.
A step. Trusting then the warp and weave of grief - because this is grief - is necessary. And reconciliation is a healing that persuades necessity the world is loved. We are led to Love. Love sent out is received. Beauty is the fabric of being. It is the knowing that takes shape across the breast as color. I’m deadly serious and joyously orange.
I find that an event helps me recognize these things: themes, edges, aspiration, power, limit, passion, beauty, love, grief. Add movement and restraint uncurls into transition. We are moving again. Hands again. Connected. Contained. Alive. The event of a session, a phone call, a practice, a play, a walk, a dinner, a tea, a swim. The current is vehicle - the ferry, the train, the table, the poem, the legs, the blood, the water, memory - delivering the mud and wine of earth and sky.
Walk with me awhile. Let the edge combine. We lay in its middle. A carpet of stars. With me, quietly whisper a wish. The world wants to hear you. Be still. We want to hear the world. Louder then. Make space within. Time is necessary. Begin to sing.
Love,
Molly
December 2023